Thanks for checking back in for Episode 3.
This post is going to discuss one of the secrets of translated fiction, the “to foreword or not to foreword” question; well, for two Pescara authors anyway: Paolo Di Vincenzo, who I’ve been chatting to in previous posts, and a new entry on this blog post, Marcello Nicodemo. Marcello has already published four novels: Nel Fuoco (alla fine del sogno), Di li’ a poco sarebbe piovuto, Ferragosto in Famiglia, e Voci del Purgatorio which I’ll be covering in more detail in coming weeks.
But before I ask Paolo and Marcello how they feel about literature in translation, what about you?
I’ve just finished a webinar with Oliver Lawrence on how to translate for the travel and tourism industry, and the distinction he drew between the types of reader her translates for – travellers and tourists – made me think of the to foreword or not to foreword debate in translated fiction. When you read a book translated from another language and cultural context, are you looking for the authentic experience and want to find your way around the new context by yourself – so no foreword- or are you one of those people who gets the guidebook and studies it from cover to cover before setting off, like you would with a foreword?
In translated literature, as in world travel, some people prefer to go off the map, while others go for the risk reduction option, safe in the knowledge that there won’t be any surprises.
Tourist or traveller?
So, are you a tourist or a traveller when it comes to translated fiction? Should cultural context be served up on a plate, or should the reader be allowed to explore it, completely off the map??
I asked both authors, …in Italian.
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Thanks for checking back in for another instalment of the Secret Language Series for Multilingual Blogging Day 2013
Who dunnit? Not telling!!!
To find out who got the gold in Il Mistero dell’Oro di Dongo, you’ll probably have to read the book, sorry! But in the meantime, I’ve become a bit of a sleuth myself, and managed to put my second language skills to good use, as I contacted the author, Paolo di Vincenzo, for a chat.
Ci sono molto vantaggi di avere una seconda lingua, il primo ovviamente e’ poter leggere dove era e chi ha trovato l’Oro di Dongo! Mi dispiace, io non ve lo posso svelare (rovinerebbe la sorpresa, adesso che avete acquisto il libro!) ma ho pensato di mettere la mia seconda lingua e vostro disposizione, per riportare qualche notizia direttamente dal autore stesso, Paolo Di Vincenzo.
In verita’, avrei potuto fare a meno di tirare fuori quest’arma letale (il mio italiano!) perche’ anche Paolo ha una seconda lingua: inglese!
Pazienza, come dicono in Italia, la vita e’ bella e andiamo avanti cosi.
Introducing Paolo Di Vincenzo
Paolo’s writing has a very journalistic feel to it, having worked in the news industry for more than 27 years.
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